| Photo |
Title Description |
Artist  
|
Medium  
|
Material
|
Style
|
Price |
|
The Hartz Mountains from Poverty Point
The distant snow capped Hartz Mountains rise above the opposite shoreline of the Huon River seen from Poverty Point, a regular walking spot for me and my dog. This painting has been professionally framed in a style complimentary to the colours of the painting with double matt boards. Freight would be an extra cost. |
Jill Miller | Water Colour | Paper | Representational | $375 |
|
Splash
Silverland Falls in the Grampians, victoria |
Richard rogers | Acrylic | Canvas | Representational | $800 |
|
|
Home Beach Nth Stradbroke
acrylic on canvas |
Wally Boydell | Acrylic | Canvas | Representational | $400 |
|
Lake Somerset
Acrylic on canvas |
Wally Boydell | Acrylic | Canvas | Representational | $1,200 |
|
Rain Clouds Over Sisters Beach, Tasmania
Storm clouds roll away to reveal the distant hills and jagged rocks rising from the sea at Sisters Beach, NW Tasmania. This painting has been professionally framed with double matt boards in a style most suitable to the painting. Freight would be an extra charge. |
Jill Miller | Water Colour | Paper | Representational | $350 |
| Photo |
Title Description |
Artist  
|
Medium  
|
Material
|
Style
|
Price |
|
Impressionist Fields
A3 orginal oil pastel painting on oil pastel paper inspired by the Impressionists |
Nicole Whittaker | Pastel | Paper | Post Impressionism | $175 |
|
Three Sisters from Malatia Point
Oil on canvas - Framed |
John Fasano | Oil | Canvas | Other | $300 |
|
Afternoon Breeze – Platapus Point
Oil on stretched canvas |
John Fasano | Oil | Canvas | Other | $300 |
|
Everlasting Tree – Mid Blue Mountains
Oil on canvas - Framed |
John Fasano | Oil | Canvas | Other | $300 |
|
Lake Side Track Dunns Swamp
Oil on stretched canvas |
John Fasano | Oil | Canvas | Other | $320 |
|
Weather Change – Sublime Point
Oil on Canvas - Framed |
John Fasano | Oil | Canvas | Other | $350 |
|
Boars Head – Katoomba
Oil on Canvas - Framed |
John Fasano | Oil | Canvas | Other | $300 |
|
Grose River view – Butterbox Point, Mt Hay
Oil on Canvas - Framed |
John Fasano | Oil | Canvas | Other | $350 |
|
View from Rigby’s Hill
Oil on canvas - Framed |
John Fasano | Oil | Canvas | Other | $300 |
|
Broken Rock Beach
Oil on canvas - Framed |
John Fasano | Oil | Canvas | Other | $0.00 |
|
Jervis Bay from Huskinson
Oil on canvas - Framed |
John Fasano | Oil | Canvas | Other | $300 |
|
|
Rural Vista
Nambucca Valley Oil on Canvas |
rita palm | Oil | Canvas | Representational | $1,000 |
|
Rocky Road
Oil on Granulated Board |
rita palm | Oil | Acrylic Fabric | granulated board | $575 |
|
Water Lily Greeting
An Original Gouache on paper by Kimberley Kohan featuring a scene from the Kimberlies in Westen Australia. A scene of Boab trees by water and lillies. Vibrant colours are used and is set off by a gold coloured frame. |
Kimberley Kohan | Gouache | Paper | Other | $3,500 |
|
Rain Clouds Over Sisters Beach, Tasmania
Storm clouds roll away to reveal the distant hills and jagged rocks rising from the sea at Sisters Beach, NW Tasmania. This painting has been professionally framed with double matt boards in a style most suitable to the painting. Freight would be an extra charge. |
Jill Miller | Water Colour | Paper | Representational | $350 |
|
Country Holiday
Painted on gessoed board this delightful scene depicts two country kids watching a calf through a fence. Painted in Matisse Acrylics. |
Donna A Gilbertson | Acrylic | Board | Post Impressionism | $85 |
|
Alligator Creek
Painted on gessoed board ready to be framed. This painting depicts two small schoolchildren making their way to the bus stop on their way to school in North Queensland at Alligator Creek. |
Donna A Gilbertson | Acrylic | Board | Post Impressionism | $85 |
|
Mallee Country
Painted with acrylics, long horizontal landscape format of the Mallee Country |
Louise Johnston | Acrylic | Board | Representational | $420 |
|
RUSTED AT TEROWIE..S.A.
Pastel Painting on Colourfix paper executed from reference photograph taken when on painting trip to the outback. Unframed |
YVONNE WEST | Pastel | Paper | Representational | $600 |
|
Autumn Mist, Lymington
The scene that greets me on many an Autumn morning as the sun struggles to rise above the mist hanging over the blueberry farm. This painting is framed with a single matt board. Postage and packing extra. |
Jill Miller | Water Colour | Paper | Representational | $310 |
|
Rain
Seen one morning from a rowing boat on the Huon River, the vibrant green of the distant hills blurred by the drizzle. This painting is framed with a triple matt board in colours complementing the painting. Postage and packing extra. |
Jill Miller | Watercolour/ink | Paper | Representational | $395 |
|
The Hartz Mountains from Poverty Point
The distant snow capped Hartz Mountains rise above the opposite shoreline of the Huon River seen from Poverty Point, a regular walking spot for me and my dog. This painting has been professionally framed in a style complimentary to the colours of the painting with double matt boards. Freight would be an extra cost. |
Jill Miller | Water Colour | Paper | Representational | $375 |
|
Moored, Port Cygnet
Moored for the winter these boats lie peacefully awaiting the arrival of their owners and some more clement weather. This painting is beautifully framed with double matt boards complimenting the painting. Would best suit a Tasmanian buyer as freight would incur additional costs. |
Jill Miller | Water Colour | Paper | Representational | $375 |
|
Sundays in Hobart
I did a rough sketch with a reed pen and ink. Then I worked into it with oil pastel. I wanted to capture the scratchiness of Hobart, the choppy water and the sun on Mount Wellington. I liked the colours but it was a bit boring so I destroyed it by covered the whole painting with violet pigmented ink. Now it was obliterated, I set about trying to find it again by scraping into the ink with a palette knife sometimes carefully like a palaeontologist unearthing a fossil; sometimes vigorously attacking the paper to force it work. The painting re-emerged but it still didn’t have the movement and chaos that I wanted so I scribbled all over it with the reed pen and ink. Then I spent a long time just looking and occasionally, scraping, pasteling and inking, together with a good red wine. I like the colours and the marks and maybe it captures something….maybe….something. |
Jeremy Holton | Oil Pastel | Paper | Post Impressionism | $1,999 |
|
illumonated wave
njght scene |
wayne french | Oil | Board | Art Deco | $2,900 |